Following the release of Puppet Master: Axis of Evil, Charles Band announced a direct follow-up in October 2011. Originally titled Puppet Master Forever, Band decided this would be the first film in the series he’d be directing. He hired newcomer Shane Bitterling to co-write after meeting him following the death of Axis’ screenwriter Dominic Muir. With this new writing assignment, Bitterling made it a personal goal to write the best Puppet Master movie to date. Charles Band hired Tom Devlin’s 1313 FX to recreate the original puppets using molds of the originals from decades ago. In addition, Christopher Bergschneider would be designing four new Nazi-themed puppets that Band slowly revealed on the Full Moon website. Unlike the last film, this one would be shot in the United States on a twelve-day shooting schedule. In 2012, the retitled Puppet Master X: Axis Rising made its way onto DVD shelves.
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Synopsis
Following the last film, Lady Ozu (Terumi Shimazu) is betrayed and shot by Nazi commandant Heinrich Moebius (Scott King). Meanwhile, Danny (Kip Canyon) and Beth (Jean Louise O’Sullivan) return home with the remaining puppets, except for Tunneler. Just as they’re figuring out what to do, Danny and Beth are taken to meet with Major Collins (Kurt Sinclair). Given what happened last time, he puts them under the protection of Sgt. Stone (Brad Potts). Meanwhile, Moebius and his right-hand woman Uschi (Stephanie Sanditz) are working on creating the perfect, undead soldier. They’ve kidnapped a scientist named Freuhoffer (Oto Brezina), who discovers Toulon’s life-giving serum inside Tunneler. With this discovery, he creates four new puppets for the Third Reich – Blitzkrieg, Bombshell, Kamikazee, and Weremacht. With Sgt. Stone’s aid, it’s up to Danny, Beth, and their puppets to save the world from tyranny once again.
Review
Like the last installment, Puppet Master X: Axis Rising isn’t on par with the earliest installments, but it isn’t terrible. Sure, the film suffers from a lack of budget, but you can tell the filmmakers put their hearts into it. As the director, Charles Band does a good job trying to give this film a 1940s war movie feel. Also, for a relatively new screenwriter, Bitterling works some well-needed humor into the script to give it some charm. Everyone in the cast delivers an appropriately over-the-top performance, with King and Sanditz standing out as the villains. Also, Brad Potts, a former marine turned actor, shines as the gruff and scraggly yet reluctant Sgt. Stone. Tom Devlin and his team have done a great job recreating several of the original puppets from scratch. The four new puppets added to the mix are a nice touch, even if slightly non-PC.
Unfortunately, some of the recasting drags the film down, particularly Kip Canyon, who has the charisma of a wooden block. Jean Louise O’Sullivan, for her part, tries her best as Beth and even has some badass moments. You can tell they didn’t have quite the budget they needed when you look at some of the action sequences. For instance, there’s a big scene where the good puppets battle with the evil puppets during the climax. Sadly, the fight is in a small room with just a podium, a few actors, and some WWII-era posters. Still, compared to Puppet Master: The Legacy, this is one of the series’ better entries. At slightly under 90 minutes, parts of the movie drag, but it gets the job done. Overall, Puppet Master X: Axis Rising is a promising improvement over the last entry in a long-running franchise.
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