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The Mummy’s Hand (1940)
Though it lacks the style and suspense of the original, The Mummy’s Hand does work as a bit of 1940s B-movie schlock.
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The Invisible Man Returns (1940)
Thanks to a strong lead performance, an interesting story of revenge, and some impressive visual effects, The Invisible Man Returns delivers.
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Son of Frankenstein (1939)
While missing the charm of the first two, Son of Frankenstein still works with some great performances, impressive sets, and solid direction.
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Dracula’s Daughter (1936)
While not as strong as the original, Dracula’s Daughter is still an underrated entry thanks to its lead performance and stylish mood.
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Werewolf of London (1935)
Though the werewolf design looks interesting and it has its moments, Werewolf of London is considerably weak compared to the earlier entries.
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The Bride of Frankenstein (1935)
With stellar performances, amazing production values, a riveting story, and fantastic direction, The Bride of Frankenstein is a masterpiece.
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The Invisible Man (1933)
With a strong lead performance, state-of-the-art visual effects, and a nice mixture of horror and humor, The Invisible Man is worth seeing.
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The Mummy (1932)
While not as strong as the last two entries, The Mummy still succeeds thanks to strong performances, impressive effects, and a solid story.
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Frankenstein (1931)
With masterful direction, impressive production design, and fantastic performances, Frankenstein is yet another horror classic from Universal.
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Dracula (1931)
With a captivating lead performance, impressive production design, and fantastic direction, Dracula is a true horror classic.